A GIANT POD WITH 19 SYNTHS AND DRUM MACHINES

1983. Six voice poly with 18 VCOs, unison mode, arpeggiator, sequencer and MIDI. More than just six stacked minimoogs. Huge, powerful, sometimes overpowering. One of the greatest polys.

1986. Sixteen voice vector synthesis poly, with joystick to crossfade between four VCOs. Onboard arpeggiator and chorus. Brilliant for new and evolving sounds.

1975. Huge and heavy. Fully polyphonic 71 key analog synth using divide-down technology. Comes with 285a polypedals. Expressive and unusual. This is one of the best surviving examples and has been incredibly reliable. 

1983. Eight voice poly. This is a Rev 4 unit with MIDI and the VPK-5 controller keyboard. It sounds big – in some ways similar to the MemoryMoog but with its own distinctive character.

1983. Duophonic. Onboard sequencer, multimode filter and advanced programmability. Unique sound and cool to look at.

1979. Duophonic. Has a warm but edgey sound, ideal for leads and basses. Saw, square and triangle waves available simultaneously on both VCOs. 

1981. Mono. Great-sounding synth with arpeggiator, sequencer and advanced modulation capabilities.

1982. Six voice poly. Onboard poly-mod, arpeggiator and sequencer. Has the GliGli firmware upgrade for improved control, response and modulation.

1981. Five voice poly. One of the most recognisable sounds of the 1980s, it was over countless records.

1975. Mono. Incredibly versatile and sounds unique thanks to its Sallen-Key multimode diode filter.

1999. Three voice poly. Uses the SID chip to create the sounds of the Commodore 64.

1980. Twelve voice drum machine with twelve 8 bit sampled sounds. The first drum machine to use samples of acoustic drums.

1980. Mono keytar with divid-down poly section. This is a performance synth with modulation controls, including a ribbon next to the left hand. A bit heavy, but fun to rock out!

1970. Groundbreaking mono synth. The one by which all others are judged. Iconic in every way. We love it.

1978. Mono. Two oscillator version of the Minimoog but with a separate LFO, sample and hold, ribbon controller and aftertouch. We love this for bass sounds. 

1972. Duophonic Maxwell Smart-style briefcase synth with built-in speaker, ring mod and twin LFOs.  

1981. Moog’s first programmable synth with storage for 16 patches. Sounds like a 2 oscillator Minimoog but looks cuter. Has onboard arpeggiator. 

1975. Mono bass synth. Two oscillators with a five octave range. Classic Moog sound for your feet.