Synth Pod H (Korg Semi-Modular)

Korgasm Territory

All the Korg semi-modulars side-by-side, including the super rare PS-3200 and PS-3300. Patch the MS-10, MS-20, MS-50, VC-10 and SQ-10 together to create colossus mono leads and basses alongside the atmospheric poly goodness of the PS-3200 and PS-3300. And clock them all to the Linndrum.

How does a Synth Pod work?

Korg VC-10 Vocoder

1978. Classic Korg 20-band vocoder with built-in microphone and external input.

Korg PS-3200

1978. 48 voice poly. Update to the PS-3100. It loses the resonators , but gains a 7 element equalizer and 16 memory locations. This unit has MIDI so you can be play it and change patches remotely.

1978. 48 voice poly. Update to the PS-3100. It loses the resonators

, but gains a 7 element equalizer and 16 memory locations. This unit has MIDI so you can be play it and change patches remotely.

Korg PS-3300

1977. 48 voice poly. On release, Korg described this as a “dream synthesizer”. Effectively 3 PS-3100s with triple resonators. Mind-boggling sound-creation capabilties and sounds fabulous.

Linn LinnDrum

1982. 12 voice drum machine with 15 sample-based sounds and onboard sequencer. One of the most sophisticated drum machines of its era, this was all over early 80s synth pop.

Korg MS-10

1978. Mono. single oscillator version of the MS-20. Many people prefer the filter on the MS-10.

Korg MS-20

1978. Mono. Iconic and hugely versatile semi-modular. Perfect for unique basses, leads and sound effects.

Korg MS-50

1978. Monophonic expander with 20 modules, including ring mod and sample+hold. Adds incredible versatility and sound-sculpting abilities to the MS series.

Korg SQ-10 Sequencer

1978. Another unit from Korg’s golden year. This analog sequencer has 3 channels and integrates perfectly with the rest of the MS series as well as the PS series.