Make use of our shared pool of additional synths and outboard equipment

2002. Sixty-four voice 24 bit stereo digital sampler with 128 track sequencer and 16 velocity and pressure sensitive pads.

1998. 128 voice stereo digital sampler. This was a staple in studios all over the world in the early 2000s. Comes with huge library of classic sounds.

1975. Duophonic. Complements the Mk III version in Pod E. 

1981. Well-built but cheesy poly preset synth with auto-accompaniment chords and rhythm and built-in speaker. No editing capability. 

1972. Mono. A Get Smart version of the VCS3 with a spy-style briefcase, 256-step sequencer and 30-note touchplate keyboard.

1987. Sixteen voice 16-bit 44.1 kHz sampler with onboard sequencer. Dominated sampling in the late 80s before Akai.

1986. Eight voice poly with 3 digital oscillators, analog low-pass filter and sequencer. Extremely popular in its day due to its value for money.  

1998. Forty-eight voice poly using Ensoniq’s Transwave technology, with onboard vocoder, arpeggiator and effects. Capable of truly unique organic and complex sounds.

1996. Thirty-two voice poly using digital additive synthesis, with sequencer, arpeggiator and effects. The 128 band formant filter is a stand-out.

1988. Sixteen voice legendary poly using Korg’s ROM-based AI synthesis. Redfined the synth workstation market with its sound, effects and 8 track sequencer.

1978. Mono. Rare blackboard edition of the MS-20 made for education purposes. It’s an MS-20 but bigger and with a speaker.

1991. Thirty-two voice poly utilising vector synthesis and wave sequencing, with onboard effects. Great for ambient sounds and pads. Keyboard version of the Wavestation A/D in Pod F.

1975. Mono. Single VCO version of the Multimoog, complete with ribbon controller.

2000. Twenty-four voice poly analog modelling and FM synth with onboard effects, vocoder and arpeggiator. A dance classic of the early 2000s.

1984. Monophonic 8-bit sampler which can burn EPROMs for drum machines like the DMX, DX, Drumtraks and Linn Drum, so you can use your own samples in these machines. 

1984. Six voice poly desktop version of the Matrix 12. Incrediblely fat sound and deep mod capabilities. Paired with the velocity and pressure sensitive Xk keyboard from 1986.

1987. Sixteen voice poly using Roland’s legendary Linear Arithmetic Synthesis. Along with the Korg M1, this defined the late 80s. The PG-1000 programmer makes life a lot easier.

1988. Ten track, 100,000 note hardware MIDI sequencer.

1983. Six voice poly with two DCOs per voice and onboard chorus and sequencer. Fatter than the Juno-106 and a joy to program with the PG-200.

1978. Mono. The baby of the CS series with a single VCO, it still has that CS vibe.

1998, 128 voice poly with four-element voice structure using any combination of AWM2, AN, FDSP and VL synthesis. Onboard sampler, sequencer, arpeggiator and effects. A 76-key beast.

1989. Thirty-two voice drum machine with 68 sampled sounds and onboard sequencer. Very popular in the early 90s. 

1989. Sixteen voice four operator FM synth with onboard effects and sequencer.

1995. Duophonic virtual modelling synth. Rare and exorbitantly expensive on release, this synth models acoustic instruments, aided by numerous expression options including breath controller, wheels and pedals.